Pearl (2022), The Beast of Yucca Flats (1961) and Fire Maidens of Outer Space (1956) with Hollis Monroe, Phil Brown and Denny Lynch.
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Pearl (2022), The Beast of Yucca Flats (1961) and Fire Maidens of Outer Space (1956) with Hollis Monroe, Phil Brown and Denny Lynch.
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ICON, Iowa’s longest-running sci fi con, returns October 14-16, celebrating its 47th anniversary with a big-time special guest. Writer and director Nicholas Meyer is the Guest of Honor. Meyer, a graduate of the UI Writing program went on to make three of the most-loved Star Trek films, as well as movies including “Time After Time,” “The Seven Percent Solution,” and “The Day After.”
In addition to Meyer, Hugo-Award winning author Joe Haldeman will be there, and the resident nerds at KCCK (Hollis, Ron, and Dennis) will host a panel on Music and Sci-Fi.
Early bird registration rates end Sept. 22. Sign up at www.icon-iowa.com.
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Hey, Jazz fans! Be sure to tune in this week as we celebrate the birthdays of singers, Irene Reid, Les McCann and Ray Charles, saxophonists John Coltrane, Frank Foster and Damani Phillips, guitarist Eric Gale, bassist Red Mitchell and more. We’ll also mark the recording anniversaries of Erroll Garner’s classic “Concert By The Sea” (1955), Jimmy Smith & Wes Montgomery’s “The Dynamic Duo” (1966), Charles Mingus’ “Let My Children Hear Music” (1971), Spike Robinson/Sweets Edison Quintet’s “Jusa Bit o’ Blues, Vol. 2” (1988), Ray Brown Trio Live at Starbucks (1999), Carol Sloane “Live at Birdland” (2019) and many others, Mondays thru Fridays at noon on JAZZ MASTERS‘ on Jazz 88.3 KCCK.
Jazz Corner of the World Encore
Mondays from 6:00pm to 10:00pm
Bossa Nova & Brazilian Jazz
Craig presents an unusual and eclectic look at our long history with jazz from Brazil that promises to be great fun. Along the way, he’ll explore the bossa nova style from its early roots, right up to the present. We’ll hear recordings by saxophonist Stan Getz and Creed Taylor, as well as some obscure selections by a variety of artists.
The Wednesday Night Special
Wednesdays at 6:00 PM
Mina Jazz Quartet & the Dan Padley Quartet at the ICJF
The Wednesday Night Special keeps the spotlight on the great acts who took the Local Stage at the 2022 Iowa City Jazz Festival. Up this week are the Mina Jazz Quartet and the Dan Padley Quartet.
Jazz Night in America
Thursday at 11:00 PM
Young Bloods: Sarah Hanahan
Host Christian McBride’s five-part series, “Young Bloods,” features five young artists who are shaking up the jazz scene. This week, he spotlights saxophonist Sarah Hanahan, who overcame crippling self-doubt to become “one of the burning young players of her generation.”
Jazz Corner of the World
Saturdays at 12:00 Noon
Mood Records, 1977 to the 2000s
Host Craig Kessler begins a short series looking at some of the truly great sounds from Mood Records. Formed in Germany in the 1970s, the label helped showcase the new sounds of jazz-rock, like jazz innovators Kenny Wheeler, Charlie Mariano, and Ian Carr.
KCCK’s Midnight CD
Every Night at Midnight
Each night, KCCK lets you hear a new CD played start-to-finish.
Live at Blue Bamboo by Chris Cortez on Monday; Generation Gap Orchestra by Steven Feifke & Bijon Watson on Tuesday; Blue Keys by Calvin Keys on Wednesday; Musica de Las Americas by Miguel Zenon on Thursday; Doin’ What I’m Supposed to Do by Demetria Taylor on Friday; Crackdown by GA-20 on Saturday; Forecast by Jazz Funk Soul on Sunday
Tom Milligan and Deborah Kennedy have been performing in and producing shows in Eastern Iowa for many years. They recently began work with the Amana Society to return live theatre to the Amana Performing Arts Company, former home to Old Creamery Theatre, and incorporated as a non-profit theatrical troupe.
TKM Theatrical Productions’ first show under this new structure is “Leaving Iowa,” a funny and poignant remembrance of a time when the kids were packed into the family station wagon for a road trip through the country.
Two shows only, Sept. 23 and 24. Tickets through TKM’s Facebook page or call (319) 899-3799.
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Orchestra Iowa launches its historic 100th season with “Sincerely, Sondheim,” the 25th edition of the wildly popular season opener on the front lawn of Brucemore mansion.
Tim Hankewich says this tribute to the legendary composer is a bit of a beta test for a new show that will eventually be performed at places like the Kennedy Center and on PBS.
Broadway star Melissa Errico, who was a good friend of Sondheim, will perform songs from Sondheim musicals like “Into The Woods,” “A Little Night Music,” and “Sweeney Todd,” but also Sondheim’s early work as a lyricist in “West Side Story,” “Gypsy,” and others.
Errico’s pianist is Grammy-Winner Randy Waldman, a legend in his own right. Waldman has performed on hundreds of albums, and has been pianist and conductor for Barbra Streisand, Beyoncé, George Benson, Frank Sinatra, and many more.
Saturday, Sept. 17 at Brucemore. Tickets at www.orchestraiowa.org.
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Bodies Bodies Bodies (2022) and Killing Hasselhoff (2017) with Hollis Monroe, Phil Brown and Scott Chrisman.
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Listen to this week’s playlist on YouTube and Spotify
Since arriving in the U.S. from Cuba in 1999, Dafnis Prieto has honed his forward-looking musical vision across a range of styles and formats. In the process, he has become equally known for his composing and arranging brilliance and electrifying drumming, comfortably exploring a wide spectrum of musical vocabularies. His new album, “Cantar,” reveals a new side of Prieto—lyricist. He grew up with a great love of popular songs and melodies, influenced by everyone from Los Van Van, Elis Regina and A.C. Jobim to Queen, Stevie Wonder and more. He invited Luciana Souza as his collaborator, an admirer of her talents as one of the world’s leading vocalists and interpreters.
Home from college, Charlton Singleton was working in a record store in Charleston, South Carolina in the mid-‘90s when a friend of his from high school told him of a musician he absolutely had to meet, Quentin Baxter. A trumpeter and pianist, Singleton said okay but didn’t think much of it until the day Baxter came into the store. Thus began a personal and professional connection that changed the lives of both Singleton and the charismatic Baxter, who was known as the gospel drummer in Charleston when they first met. All these years later, their kinship is stronger than ever, as reflected in the simultaneous release of their new solo albums, Baxter’s “Art Drives Jazz” (which debuted a few weeks back on New Music Monday) and Singleton’s “Crossroads.” Both recordings are animated by Gullah, the roots sound of South Carolina’s Low country.
Also this week, on the Reid Hoyson Project’s “That Sunday That Summer,” the drummer works for the first time with harmonica ace Hendrik Meurkens, bassist Rufus Reid and pianist David Berkman;
trombonist/composer/arranger Marshall Gilkes merges the jazz and classical realms on his nine-movement suite, “Cyclic Journey”;
and guitarist Doug MacDonald, who in the mid-‘80s was a member of the Snooky Young/Bob Cooper Sextet, the Jack Sheldon Group and an early version of the Clayton-Hamilton Jazz Orchestra, reunites with bassist John Clayton and drummer Jeff Hamilton on his new disc, “I’ll See You In My Dreams.”