Talking Pictures 8-18-16
Nerve, Mohanjodaro, Pete’s Dragon, Florence Foster Jenkins with Hollis Monroe, Denny Lynch and Phil Brown.
This Week’s Shows: Week of August 15 – 21
Short List with Bob Naujoks
Monday – Friday at 8:35 AM and Saturday at 7 AM
The Short List: Cats On The Keys 3 (Jimmy Rowles)
Jimmy Rowles
Jimmy Rowles who had a long career as a supreme accompanist and sideman. He accepted the complement that he was a “musician’s musician.” To some that is faint praise, but Rowles was the most desired collaborator with such great jazz vocalists as Ella Fitzgerald, Carmen McRae, Peggy Lee, Sarah Vaughan and Tony Bennett. He also played in the bands of Benny Carter, Woody Herman and Benny Goodman, and as a partner with saxophonists Lester Young and Stan Getz. His tune “The Peacocks” is a jazz standard.
Jazz Profiles with Nancy Wilson
Monday at 6:00 PM
Ellis Larkins: The Patient Pianist 
Pianist Ellis Larkins’ elegant playing style was described as a rainbow of interwoven musical textures. His layered technique created a warm and intimate palette of sound that brought out the full artistic potential of his partners in jazz — Coleman Hawkins and Ella Fitzgerald among them.
Jazz Corner of the World with Craig Kessler
Monday, 7:00 PM – 11:00 PM (follows Jazz Profiles)
“The Music of Herbie Hancock — 1968 to 1969”
Craig looks at the evolution of this important artist during the critical years of 1968 and 1969. We’ll hear high art from Herbie on his own recordings of the period (“Speak Like A Child”; “The Prisoner”: and “Fat Albert Rotunda”), as well as stunning keyboard work with groups led by Wes Montgomery, Kenny Burrell, Joe Henderson, Miles Davis, and others!
New Orleans Calling with George Ingmire
Tuesday at 6:00 PM
Champion Jack Dupree: Freedom (Part 2 of 2) 
This is the second episode of our two-episode look at New Orleans boogie-woogie piano player Champion Jack Dupree.
In the first episode, we spent some time tracking down his music and his fascinating history — his childhood, his boxing career, his recording career, and his departure for Europe. In this episode we pick up where we left off, with Jack returning to New Orleans after more than 30 years. And through interviews with Jack and people who knew him, we found a theme running through his entire life — the search for freedom, for himself and for all of us.
This is a very special look at a very special story. The recording excerpted at the beginning of this show is from May 5, 1991, at the Music Heritage Stage at the New Orleans Jazz & Heritage Festival, and features Allison Miner as an interviewer. The Music and Heritage Stage featured mostly interviews with some performance — Jack also did another longer performance at the Economy Hall Stage later that day. Blues guitarist Kenn Lending, who was interviewed for this episode, met Champion Jack Dupree in the 1970s, and worked with him until Jack’s death in 1992, performing at over 1,000 concerts in 34 countries. He lives in Copenhagen, Denmark, and still plays music, performed alongside Jack at both sets.
Kalamu ya Salaam, interviewed in this episode, is a poet, scholar, and filmmaker in New Orleans, who has written about Champion Jack Dupree.
Jazz Night in America with Christian McBride
Wednesday at 6:00 PM
Hip Hop + Jazz = Revive Big Band
Revive Big Band
What would it sound like if someone bridged the gap between big band jazz and classic hip-hop anthems? Between Art Blakey and A Tribe Called Quest; between Freddie Hubbard and J. Dilla? One answer is offered by trumpeter Igmar Thomas, the founder and musical director of the Revive Big Band. Between originals, standard jazz repertoire and orchestrations of contemporary classics, Thomas aligns a multi-generational ensemble with a black music tradition that leads to the present day.
Wednesday Night Special
7:00 PM (Follows Jazz Night in America)
First Friday Jazz: TELLURIC at Opus Concert Café (Encore Broadcast)
Telluric
A telluric current (from Latin tellūs, “earth”), or Earth current, is an electric current which moves underground or through the sea. Telluric currents result from both natural causes and human activity, and the discrete currents interact in a complex pattern.
Telluric is a new group of young lions, all recent graduates of the University of Northern Iowa where they studied under professors Dr. Bob Washut and Chris Merz. They write their own music and present it in a style that is both modern and accessible; a rare combination.
Telluric is:
Nolan Schroeder—sax
Chris Jensen—drums
Elvis Phillips—guitar
Joel Conrad—bass
The First Friday Jazz Series features an eclectic mix of jazz, Latin and contemporary music the first Friday of every month. Doors at Opus open at 4:30 p.m. with live music from 5-7 p.m.
If you can’t be there in person, the first set of each performance of the series is broadcast live on KCCK. The Opus Concert Cafe is operated by Orchestra Iowa. More information at:
Jazz Corner of the World with Craig Kessler
Saturday, Noon – 4:00 PM and Monday, 7:00 PM – 11:00 PM
“Contemporary Records and Good Time Jazz Records In 1956” 
Craig journeys back 60 years to look in on some of the recording sessions during 1956, for Lester Koenig’s two important jazz record labels. CONTEMPORARY RECORDS was one of the top two record labels documenting the music of the West Coast Jazz movement, and GOOD TIME JAZZ RECORDS documented the traditional Dixieland styles of the San Francisco jazz scene. We’ll hear from top jazz artists like Hampton Hawes, Howard Rumsey, Kid Ory, Don Ewell, Shelly Manne, Bay City Jazz Band, Curtis Counce, Buddy Collette, and many others! Don’t miss out on the FUN!
Tropical Heat (hosted by Kpoti Senam Accoh)
Sunday, 5:00 PM – 8:00 PM
Featured Album: “Faya” by Joe Driscoll & Sekou Kouyate 
http://store.cumbancha.com/album/faya
An example of how opposites attract, Faya features the U.S.-born/England-based Driscoll and the Guinea–born Kouyate. Although one spoke French and the other English, the two came together at a festival in 2010 and quickly realized they were kindred spirits who shared a love of hip-hop and reggae. Driscoll acquits himself well throughout with his spitfire raps, soulful singing, and rhythmic acoustic guitar. But the revelation is Kouyate, who not only sings in French and his native Susu but also plays kora (a nylon-string African harp) through an arsenal of effects with such innovation that he’s drawn comparisons to Jimi Hendrix (“Tanama”). On an album filled with socially conscious themes, the two skillfully weave together ideas that are detailed but broad. “Passport,” for example, speaks of both the fragmentation of the African continent and the chilly reception African visitors often receive in the U.S. Elsewhere the music moves from gritty African rock (“Zion” and the standout “Faya”) to reggae (the “Faya” remix, “Birnakely”) to hip-hop (“Wonamati” and “New York”).
KCCK’s Midnight CD
The Monday – Sunday Midnight CD for this week can be found at:
Talking Pictures 8-11-16
Suicide Squad with Hollis Monroe, Denny Lynch and Scott Chrisman
New Music Monday for August 15, 2016
Listen to this week’s playlist on YouTube and Spotify.
Jazz is often portr
ayed as an art form defined by blazing young artists. It’s true that many jazz masters reach a mid-career plateau marked by small variations on a mature style. But there’s also a vanguard of players and composers who continue to refine and expand the art form in middle age and beyond. In that category is pianist Fred Hersch, who is marking his 60th year with an astonishing creative surge. His new recording, “Sunday Night at the Vanguard,” stands as the most profound and enthralling trio statement yet by an improviser whose bands have embodied the enduring relevance of the piano-bass-and-drums format for three decades. Featuring the exquisitely interactive bassist John Hebert and extraordinarily sensitive drummer Eric McPherson, the trio was recorded at the storied venue that’s become Hersch’s second home.
Trombonist and composer Steve Turre shows off his full spectrum of sounds on his latest disc, “Colors for the Masters.” The program is evenly split between jazz standards and originals that carry the torch for the tradition, offering a dazzling array of hues played in tribute to and alongside some of the elders that have inspired Turre. While he has shared the stage with pianist Kenny Barron, bassist Ron Carter and drummer Jimmy Cobb over the years in various bands and all-star configurations, “ I’ve never had them play my music to hear what their mastery would bring to it,” Turre explains. “I wanted to hear how their interpretations would open up new avenues of expression to me.” On four tunes, the band is joined by saxophonist Javon Jackson, like Turre an alumni of Art Blakey’s Jazz Messengers.
Also this week, Jane Bunnett marks the 25th anniversary of her landmark 1991 album, “Spirits of Havana,” the first major collaboration of North American and Cuban musicians, with a deluxe reissue including previously unreleased material.
New York trombonist/composer Michael Davis features a handful of renowned trombone virtuosi, including Michael Dease, Conrad Herwig, Bob McChesney, Bill Reichenbach and Marshall Gilkes, in his “Hip-Bone Big Band”.
Pianist Anton
io Ciacca and his quintet present “Volare, the Italian American Songbook.”
This Week’s Shows: Week of August 8 – 14
Short List with Bob Naujoks
Monday – Friday at 8:35 AM and Saturday at 7 AM
The Short List: Cats On The Keys 3 (Hampton Hawes)
West Coast pianist Hampton Hawes was called “one of the finest jazz pianists of the 1950s” by writer and critic Scott Yanow. Hampton Hawes came out of the bebop school of jazz, strongly influenced by the great Bud Powell. He was a key player in the hotbed of 1950s modern jazz on Central Avenue in Los Angeles. His recording history began with the brilliant but unsung trumpeter Howard McGhee in 1947, and he would record with many who became jazz greats. His heroin addiction put him in Federal Prison, but he received a Presidential pardon from John F. Kennedy.
Jazz Profiles with Nancy Wilson
Monday at 6:00 PM
Doc Cheatam: Jazz History’s Eyewitness
Doc Cheatham
Doc Cheatham was a part of virtually all of jazz’s history from his own early groups in the mid 1920s to the McKinney Cotton Pickers and Cab Calloway’s band in the 30s, and on into the 70s with numerous other bands. Late in life, Doc emerged from his role as an ensemble player and blossomed into an expressive soloist in small group settings. His articulation and clarity on the trumpet were the pillars of his style.
Jazz Corner of the World with Craig Kessler
Monday, 7:00 PM – 11:00 PM (follows Jazz Profiles)
“Important Jazz Performance Venues of the Past—The Black Hawk — Part Two”
Once again, Craig spotlights the legendary nightclub, THE BLACK HAWK, which was located at the corner of Hyde and Turk in San Francisco, California. We’ll hear more fabulous performances from the likes of Mongo Santamaria, Cal Tjader, Miles Davis, Ahmad Jamal, Shelly Manne, Thelonious Monk, and others. Some truly astonishing music!
New Orleans Calling with George Ingmire
Tuesday at 6:00 PM
Champion Jack Dupree: Pieces of The Puzzle Part One
Champion Jack Dupree
The story of New Orleans boogie-woogie piano player Champion Jack Dupree is hard to track down – there’s no biography, and the twists and turns of his life took him all over the world. Orphaned as an infant, he taught himself piano in the Waif’s Home, and went on to play barrelhouse piano alongside some of the greats of the 1920s and 1930s. And then he became a championship boxer. And then he was a prisoner of war in the Pacific for two years. And only then did he became a successful recording artist — but he then left America for Europe, not returning for over thirty years. The facts of his life are scattered — in archived papers and recordings, and in the memories of those who knew him or saw him perform. In this episode, part one of this special two-part program of New Orleans Calling, we go searching for pieces of the puzzle, to try to figure out who Champion Jack Dupree really was.
Jazz Night in America with Christian McBride
Wednesday at 6:00 PM
The Music of Trombonist J. J. Johnson
Vincent Gardner
Jazz Night in America presents the music of trombonist J. J. Johnson curated by Jazz at Lincoln Center Orchestra trombonist Vincent Gardner. Gardner invites his section parter Elliot Mason to tackle material from the “Jay and Kai”project, which featured trombonist Kai Winding. We hear from both Gardner and Mason about what made this project so special. Also, Jazz Night in America pulls back the curtain on Johnson, the composer, courtesy of archival interview tape provided by biographer Joshua Berrett and we learn about Johnson, the man, from Carolyn Johnson who was Johnson’s wife from 1992 until his death in 2001.
Elliot Mason
Wednesday Night Special
7:00 PM (Follows Jazz Night in America)
First Friday Jazz: The Blake Shaw Quintet at Opus Concert Café (Encore Broadcast)
The Blake Shaw Quintet at Opus Concert Café
Blake Shaw is an upright/electric bassist, composer, bandleader and private lesson teacher from Lisbon, Iowa who now resides in Iowa City. He started his college career in the fall of 2008 at Kirkwood Community College and moved on to the University of Iowa to pursue a Bachelor’s of Music in classical double bass performance, and completing that degree in 2013.
Along with playing in the University of Iowa Symphony Orchestra and UI Chamber Orchestra, Shaw played in a variety of jazz ensembles. These ensembles included guitar ensemble and small jazz ensembles both led by Prof. Steve Grismore. Some time was spent in Latin Jazz ensemble led by Prof. Jim Dreier and the Jazz Repertoire ensemble led by Prof. Brent Sandy as well. Shaw was fortunate in his senior year to play in the top jazz big band, “Johnson County Landmark” and in the Jazz Vespers. Both were under the direction of jazz area head Prof. John Rapson.
Shaw’s influences come from various genres and instrumentalists. He has made it a mission to become diverse and proficient in different contexts. His experience stretches from jazz, rock, classical, bluegrass, to latin, funk, R&B, and anything in between. His main bass influences at the moment are Dave Holland, Christian McBride and John Clayton.
Shaw released his first album of his own compositions “Listen Here” in March of 2016. Shaw has also been in featured with Laranja on the main stage of the Iowa City Jazz Fest and with the same group again at the Twin Cities jazz Fest in 2015. He also was one of several local, professional musician/educators to mentor high school student players as part of KCCK’s Corridor Jazz Project Volume VIII during the 2014-2015 school year.
The First Friday Jazz Series features an eclectic mix of jazz, Latin and contemporary music the first Friday of every month. Doors at Opus open at 4:30 p.m. with live music from 5-7 p.m.
If you can’t be there in person, the first set of each performance of the series is broadcast live on KCCK. The Opus Concert Cafe is operated by Orchestra Iowa. More information at:
Jazz Corner of the World with Craig Kessler
Saturday, Noon – 4:00 PM and Monday, 7:00 PM – 11:00 PM
“The Music of Herbie Hancock — 1968 to 1969” 
Craig looks at the evolution of this important artist during the critical years of 1968 and 1969. We’ll hear high art from Herbie on his own recordings of the period (“Speak Like A Child”; “The Prisoner”: and “Fat Albert Rotunda”), as well as stunning keyboard work with groups led by Wes Montgomery, Kenny Burrell, Joe Henderson, Miles Davis, and others! Essential listening!!
Tropical Heat (hosted by Kpoti Senam Accoh)
Sunday, 5:00 PM – 8:00 PM
Featured Album: The Jazz Album: Watch What Happens” Studio album by Thomas Quasthoff 
http://www.allmusic.com/album/watch-what-happens-the-jazz-album-mw0000576927
The Jazz Album: Watch What Happens is a 2006 studio album by the German baritone Thomas Quasthoff. The album was arranged by Alan Broadbent, Steve Gray, and Nan Schwartz.
Quasthoff was traditionally a singer of opera and lieder and this was his first album of jazz vocal music. The Jazz Album peaked at 19 on Billboard magazine’s Top Classical Crossover Chart and was included on their European Top 100 Albums list.
In an interview with John Lewis in The Guardian, Quasthoff said that jazz standards and show tunes could be compared favorably with his usual repertoire of German lieder saying that “Of course I love Schubert lieder, but technically they are often simple folk songs. American show tunes are also folk songs in a way, but they are of a very high intellectual level. If you look at the quality of these compositions – harmonically, emotionally, lyrically – it is pure heaven”.
KCCK’s Midnight CD
The Monday – Sunday Midnight CD for this week can be found at: