Shop in the KCCK On-Line Store

jazzed tSupport KCCK by purchasing great jazz music or merchandise in our online store. Purchase CDs — including the latest Corridor Jazz Project CD — Jazzed T-shirts in both men’s and women’s styles, coffee mugs and much more. You can also purchase tickets for various KCCK events. There’s something for every jazz lover. All proceeds from on-line store sales go to support KCCK. Click here to browse through the KCCK Store’s inventory.

KCCK’s Clean Up Your Act takes first place

Clean Up awardKCCK’s Clean Up Your Act took first place in the Iowa Broadcast News Association’s 2013 News Awards Contest in the In-Depth/Series category for expanded reports or series that provide background and understanding of a specific news event or issue. The award was announced at IBNA’s 2014 convention in Cedar Rapids May 3. Produced by George Dorman since 1991, Clean Up Your Act highlights the need for energy conservation and other environmental issues. It airs weekdays at 6:35 a.m. and 3:35 p.m., Saturday at 9:20 a.m. and Sunday at 8:20 a.m. It’s the third year in a row that Clean Up Your Act has been honored with this award. Listen to Clean Up Your Act podcasts. IBNA is a non-profit corporation of radio-TV news directors, reporters, producers, public relations professionals and others from Iowa and its adjacent states.

JazzWeek Honors KCCK, Bob Stewart

Bob StewartKCCK has been named Station of the Year for Markets 88-plus for the fourth time by JazzWeek and Bob Stewart has been tabbed as Program Director of the Year for an unprecedented sixth time (he also won in 2004, 2008, 2010, 2011 and 2012. Stewart was on hand to receive the awards at the annual JazzWeek Summit in San Jose. JazzWeek is the national airplay chart for jazz radio, based on measured airplay data provided by Mediaguide. Nominees for the awards are selected by JazzWeek subscribers, including jazz radio programmers, jazz record company executives and independent jazz radio record promoters.

KCCK Producers Choose Top 10s of 2014

Nathan EastKCCK’s music producers have each chosen their 10 favorite jazz, smooth jazz and blues releases from 2014. Their top choices range from Ryan Keberle & Catharsis to Craig Handy to Ariel Pocock. Click here to see their choices.

Mark Yother: Monday-Friday 6 a.m. – 10 a.m. / Sundays 6 a.m. – 9 a.m.

1) Spike Jones – Strictly for Music Lovers (Proper Records)

1) Hoosier Hot Shots – Everybody Stomp (Proper Records)

1) Various Artists – Drunk – 100 Smashed Hits (Proper Records)

1) Various Artists – Crime and Punishment (Fantastic Voyage Records)

Here’s a trade secret: record companies regularly send us their new albums to share with you. However, for reissues of vintage jazz recordings, we are much more heavily dependent on our friends and colleagues. I refer to Gordon Paulsen, our afternoon music host and Head of Production and Special Projects. Gordon is also a tireless bargain hunter and has contributed to KCCK four albums, which I am asking to be considered as one (a “one-fer” as I would say on Got A Minute). All four are heard primarily as follow-up music to the weekday feature.

My other choices, in alphabetical order:

2) Howard Alden/Andy Brown Quartet – Heavy Artillery (Delmark)

3) Harry Allen – Flying Over Rio (Arbors Jazz)

4) Commons Collective – (Un)Common (Commons Collective)

5) Connie Evingson – All The Cats Join In (Minnehaha)

6) Holly Hofmann – Low Life – The Alto Flute Project (Capri)

7) Houston Person – Nice ‘n’ Easy (High Note)

8) Houston Person – The Melody Lingers On (High Note)

9) Ariel Pocock – Touchstone (ArtistShare)

10) Chris Walden Big Band – Full-On (Origin)


Bob Stewart: Monday-Friday 10 a.m. – 2 p.m.

1) Ryan Keberle & Catharsis – Into the Zone (Greenleaf)

My top pick for disc of the year is the second for trombonist Keberle and his piano-less post-bop quartet Catharsis. With the release of the band’s debut disc in 2013, I quickly became a big fan of Keberle’s composing and arranging skills. Downbeat magazine succinctly describes the sound of the music as “accessible and thoughtful, lyrical and cerebral…” while the Chicago reader says Keberle’s “remarkable rapport with trumpeter Mike Rodriguez never lets technique get in the way of tunefulness.” With the added color of Camila Meza’s voice, “Into the Zone” easily became my favorite CD of 2014 and I eagerly look forward to much more from this group in the future.

2) Jason Moran – All Rise: a Joyful Elegy for Fats Waller (Blue Note)

3) Fred Hersch Trio – Floating (Palmetto)

4) Adam Schroeder – Let’s (Capri)

5) The Commons Collective – (Un) Common (Commons Collective)

6) Jerry Bergonzi – Intersecting Lines (Savant)

7) Medeski Scofield Martin & Wood – Juice (Indirecto)

8) Frank Macchia – Frank Macchia’s Grease Mechanix (Cacophony)

9) Johnathan Blake – Gone, But Not Forgotten (Criss Cross)

10) Henry Butler-Steven Bernstein and the Hot 9 Viper’s Drag (Impulse!)


Gordon Paulsen: Monday-Friday 2 p.m. – 6 p.m.

1) Craig Handy – Craig Handy & 2nd Line Smith (OKeh)

Perhaps more than anything Craig Handy and 2nd Line Smith represents a long awaited and (from my vantage point) much needed reconnect between current jazz trends and the dance based roots that made the music popular in the first place. You could not ask for a more appetizing musical gumbo of New Orleans 2nd line brass band party traditions and the soul-jazz dance grooves of classic ’50s-’60s sax-organ combos. The Smith in 2nd Line Smith refers to one of the all-time great groovemeisters -the legendary organist Jimmy Smith. As Mr. Handy recalled to Gary Walker, WBGO music director; “A light went off in my head. I realized two of Jimmy’s hits – “The Cat” and “Hi-Heeled Sneakers” used modified second-line rhythms. I said, That’s it – we’ll do a Jimmy Smith record in the second-line vein, and as New Orleans is a furnace for all things jazz, I saw no need to change my stripes to suit the style.”

The disc includes ten tunes that are very much in the soul-jazz tradition including those by Stanley Turrentine, Wes Montgomery, and of course Jimmy Smith. In addition to the solid, driving tenor sax of Craig Handy (Elvin Jones / Art Blakey’s Jazz Messengers), the core band features organist Kyle Koehler, guitarist Matt Cherktoff, and for that true New Orleans flavor, sousaphone virtuoso Clark Gayton. Keeping the pulse are drummers Ali Jackson, Jason Marsalis, and Herlin Riley. Wynton Marsalis and Dee Dee Bridgewater are special guests on one track each, – “Mojo Workin'” and “On the Sunny Side of the Street.”

Matt Collar, writing on line for the All Music Guide says: “Without ever seeming gimmicky or pandering, on 2nd Line Smith Handy finds the perfect balance of foot-tapping New Orleans parade rhythms, exploratory jazz improvisations, and blues-inflected, organ-soaked grooves.” For the above reasons (and several others) Craig Handy and 2nd Line Smith was chosen as KCCK’s “Featured CD of the Month” for March 2014.

2) Jason Moran – All Rise: A Joyful Elegy for Fats Waller (Blue Note)

3) Dr. John – Ske-Dat-De-Dat The Spirit of Satch (Concord)

4) Medeski Scofield Martin Wood – Juice (Indirecto)

5) Ritmocano (James Dreier) – Familia (Realtown!)

6) Theo Croker – Afro Physicist (OKeh)

7) Henry Butler – Steven Bernstein and the Hot 9 – Viper’s Drag (Impulse!)

8) Monty Alexander – Harlem-Kingston Express Vol. 2: The River Rolls On (Motema)

9) Marcus Roberts Trio with Wynton Marsalis – Together Again: Live In Concert (J-Master)

10) Gordon Goodwin’s Big Phat Band – Life in the Bubble (Telarc)


Bob De Forest: Saturdays 6 p.m. – Midnight (‘Da Blues / Crawfish Circuit / Melting Pot)

1) 1) Shuggie Otis – Live in Williamsburg (Cleopatra)

It’s wonderful to see Shuggie back as a solo performer, instead of just a sideman. Great live record.

2) Jarekus Singleton – Refuse to Lose (Alligator)

3) Eric Gales – Good for Somethin’ (Cleopatra)

4) Dave Specter – Message in Blue (Delmark)

5) Selwyn Birchwood – Don’t Call Me No Ambulance (Alligator)

6) Ruthie Foster – Promise of a Brand New Day (Blue Corn)

7) Johnny Winter – Step Back (Megaforce)

8) Eddy “The Chief” Clearwater – Soul Funky (Cleartone)

9) Holmes Brothers – Brotherhood (Alligator)

10) Marcia Ball – The Tattooed Lady & the Alligator Man (Alligator)


Bob Naujoks: Sundays: 9 a.m. – 11 a.m. (Gentle Jazz)

As always it is sometimes difficult to pick the ten best CDs of any year, but these impressed me for use on Gentle Jazz. The pianists (Arial Pocock & Fred Hersch) lead the way. Pocock for her lovely vocals and a great cover of Keith Jarrett’s “Country” and Hersch for his wonderful touch and ambience. The reeds (Dave Bennett & Jan Ira Bloom) also offered great mood playing; Bloom is almost ethereal and Bennett in the swing groove. The Catherine Russell tribute to her mom was arresting as was the slightly off-beat Kate McGarry with guitarist Keith Gantz. Saxophonist Harry Allen’s quartet makes the Rebecca Kilgore issue move to a higher plane.

1) Ariel Pocock – Touchstone (Artist Share)

2) Fred Hersch – Floatins (Palmetto)

3) Jane Ira Bloom – Sixteen Sunsets (Outline)

4) Dave Bennett – Don¹t Be That Way (Mack Avenue)

5) Catherine Russell – Bring It Back (Jazz Village)

6) Kate McGarry & Keith Gantz – Genevieve & Ferdinand (Sunnyside)

7) Rebecca Kilgore/Harry Allen Quartet – I Like Men (Arbors Jazz)

8) Freddy Cole – Singin’ The Blues (High Note)

9) Curtis Stigers – Hooray For Love (Concord)

10) Bobby Broom – My Shining Hour (Origin)

First Friday Jazz February 6

jazzThe Opus Concert Cafe, located next to the Paramount Theatre in downtown Cedar Rapids, continues its jazz series February 6 with the Peter Schlamb Group. Schlamb was born and raised in St. Louis and started taking piano lessons at the age of five. When he turned 11, he discovered Lionel Hampton and started playing jazz vibraphone. Schlamb is currently an active member of the New York City jazz scene. The First Friday Jazz Series features an eclectic mix of jazz, Latin and contemporary music the first Friday of every month. Doors at Opus open at 4:30 p.m. with live music from 5-7 p.m. Admission is $12. If you can’t be there in person, the first set of each performance of the series is broadcast live on KCCK. The Opus Concert Cafe is operated by Orchestra Iowa.

Top 88 of 2014

Nathan EastNathan East’s self-titled CD was the most-played on KCCK during 2014. George Cables’ “Icons and Influences” was the second most-popular on our airwaves. “Pucker” by Scott Amendola and Charlie Hunter came in third. “Into the Zone” by Ryan Keberle & Catharsis was Number-88. You can purchase all 88 CDs through Amazon.com and a portion of your purchase will go to support KCCK. Just click on (Purchase) next to the title of each CD.
Click here to see the entire list.

New shows on KCCK Tuesday and Wednesday evenings

On AirTwo new national jazz shows have debuted on KCCK’s PrimeTime Lineup weeknights at 6 p.m. New Orleans Calling airs Tuesdays and comes to us from the New Orleans heritage music station WWOZ, hosted by George Ingmire. Each week, George explores the Crescent City with exclusive New Orleans stories, interviews and music. Jazz Night in America airs Wednesdays and is produced by Lincoln Center, NPR and WBGO. Hosted by jazz bassist Christian McBride, the show will travel all over the country, bringing you live concerts and other features. Designed as a multi-platform endeavor, there will also be a live videocast of the show as it is taped, and on-demand features as well.

New Music Monday for January 12, 2015

New Music Monday Playlist on Youtube and Spotify.

     The New York City-based saxophonist Michael Blake has built his reputation by producing albums that “make the familiar sound fresh” (Jim Macnie, Downbeat). That statement couldn’t be applied better than to Blake’s new release, “Tiddy Boom,” his nod to the magnificent tenor saxophone innovators Coleman Hawkins and Lester Young.  The title references Young, who had a vernacular all his own. While watching an old video of Pres, Blake picked up on him requesting the drummer to give him a “little tickity boom, please.”  The disc reunites him with two of his former Jazz Composers Collective colleagues, bassist Ben Allison and pianist Frank Kimbrough, who, along with drummer Rudy Royston, provide effortless support for Blake’s tenor sax to flow in any direction he chooses on his program of originals.
     The jukebox was one of the most ubiquitous devices that adorned many African-American barbershops, beauty salons, lodges and restaurants throughout the many waypoints of the Great Migration of the early to mid-Twentieth Century. The infinite musical inventions and dimensions emanating from jukeboxes back in the day form the conceptual core of Allan Harris’ new CD, “Black Bar Jukebox,” his heartfelt tribute to Harlem. The 13-track journey displays the wide range of Harris’ mellow bari-tenor voice that was forged by and pays homage to the infinite variety of Upper Manhattan, the Sepia Panorama Citadel that gave artistic birth to him.

     Also this week, trumpet virtuoso Brad Goode, whom the Chicago Tribune calls “the lyrical genius of the trumpet,” creates a rich and distinctive group dynamic with his quartet on “Montezuma”; Seattle-based composer, arranger and woodwind multi-instrumentalist Jim Norton returns to the Bay Area to reunite with a stellar cast of former bandmates for a wide-ranging exploration of the compositions of Bill Evans on “Time Remembered”; and the funk/Afrobeat ensemble The Funk Ark, comprised of the best jazz musicians from the Washington, D.C. area, create music that is gritty, soulful and invigorating on their new disc, “Man is a Monster.”