New Music Monday for March 6, 2023

      Listen to this week’s playlist on YouTube and Spotify 
By now the international jazz community knows the story that Maqueque came out of a jam session at the Cohiba Hotel in Havana that introduced renowned jazz musician Jane Bunnett with young women musicians and composers who had recently graduated from the Cuban conservatory. Over ten years now the band has created opportunities for composing and performing extraordinary jazz that has taken this all-female ensemble around the world and has expanded to include players from Zimbabwe, Latin America, Spain and Lebanon. Their newest project is “Playing With Fire.”

 

 

 

 

     Integrating rhythmic power with musical taste, drummer Steve Fidyk returns to his big band roots for the new CD, “Red Beats,” distinctly showcasing his dominant performance skills on this unique collection of original music with his Live Wire Broad Band. His fourth date as a leader features an all-star band of musicians who hail from the Buddy Rich Big Band, the Count Basie Orchestra, the Jazz Orchestra of Philadelphia, Maynard Ferguson’s Big Bop Nouveau, the Army Blues and the Airmen of Note. Featured soloists include guitar legend Jack Wilkins, tenor sax titan Walt Weiskopf and contemporary organist Brian Charette.

 

 

 

 

                                  

Also this week, Jay Lawrence and the Platinum Jazz Orchestra features guests like Ed Calle, Wayne Bergeron, Bob Sheppard and Bob McChesney on “Payin’ My Dues”;

 

 

 

 

 

 

             

 the Riccardi-Flynn Quintet tackles their hard bop roots while adding some modernist touches on their sophomore outing, “Ghost Hits”;

 

 

 

 

 

 

         

     and bandleader, composer, educator and saxophonist extraordinaire Diego Rivera aspires to greater heights and unleashes the transcendent power of “Love & Peace” on his fourth release.

 

 

 

 

 

KCCK’s Featured Album for March 2023

The KCCK Featured Album for March is KCCK’s Corridor Jazz Project Volume XVI. The disc showcases the outstanding high school jazz programs in the area and provides the opportunity for the student musicians to interact with and learn from college jazz directors and other professional players. The bands and their guest artists record tracks, under the direction of professional producers, which are included on a compilation CD. The cover art is also created by a high school artist. The resulting disc is The Corridor Jazz Project Volume XVI.  Purchase

Kirkwood Board of Trustees to meet March 16, 2023

The regular meeting of the Kirkwood Board of Trustees will take place March 16, 2023.  Time, place, and meeting agenda can be found at this link.

Soundtrack to the Struggle: Paul Robeson

Paul Robeson had been invited to sing at the Fourth Canadian Convention of the International Union of Mine, Mill, and Smelter Workers in Vancouver in February of 1952. An outspoken supporter of civil rights worldwide and an admirer of the Soviet Union, where he perceived there to be no racism, Robeson had been increasingly persecuted for his political views since the late 1940s.

His passport had been confiscated by the State Department, denying his right to travel and perform outside the United States, and he was even prevented from crossing the border to Canada, which at the time did not require United States citizens to show a passport.

The Convention heard Robeson sing over the telephone and promised to organize a concert on the US-Canadian border and, indeed, they did. Refusing to be silenced, Robeson rolled up onto the bridge at Peace Arch Park on a flatbed truck and started singing about civil rights, freedom, and social justice to the delight of about 40,000 fans.

Accompanied by Lawrence Brown on piano, Robeson sang and spoke for 45 minutes. He introduced his first song, stating, “I stand here today under great stress because I dare, as do you – all of you, to fight for peace and for a decent life for all men, women, and children.” He proceeded to sing spirituals, folk songs, labor songs, and a passionate version of “Old Man River,” written for him in the 1920s, slowly enunciating “show a little grit and you land in jail,” underlining the fact that his government had turned the entire country into a prison for Robeson and many others. It was a magnificent performance and a triumph for a movement facing the scourge of McCarthyism and the Red Scare.

“Soundtrack to the Struggle” is hosted by Hollis Monroe. Produced by Ron Adkins. Executive Producer is Dennis Green.

 

Culture Crawl 796 “300 Shows and Counting”

Cameron Sullenberger, pianist, singer, director, and co-founder of Revival Theatre Company, left a gaping hole in the arts community when he passed away a few weeks ago. His co-founder, Brian Glick reflects on the memory of his friend, before we talk about Revival’s upcoming show, “Million Dollar Quartet.”

The musical tells the true story of a memorable night when Elvis Presley, Jerry Lee Lewis, Johnny Cash, and Carl Perkins jammed at Sun Studios. Local favorites Amy Friedl Stoner and Tad Paulsen Diane, Elvis’s girlfriend, and Sun Studio owner Sam Phillips, are joined by 4 men who are VERY familiar with this show, having performed it on national and regional tours. In fact, by the time this run ends, Jacob Barton (Elvis) and Nathan Burke (Perkins) will have performed this show 300 times!

The original two-week run has been compressed to just one week, so tickets are going fast. Get yours at www.revivaltheatrecompany.com or www.artsiowa.com.

Subscribe to The Culture Crawl at www.kcck.org/culture or search “Culture Crawl” in your favorite podcast player. Listen Live at 10:30am most weekdays on Iowa’s Jazz station. 88.3 FM or www.kcck.org/listen.

Soundtrack to the Struggle: The Green Book

1936, and New York City postman Victor Hugo Green publishes the first edition of the Negro Motorist Green-Book. This directory of hotels, restaurants, mechanics, and other services open to Blacks became an indispensable resource for travelers of color.

Each annual edition grew in size and detail, mapping roads relatively safe from police profiling. “Driving while Black” was a common offense, and it was not unheard of for Black motorists, especially cars full of Black musicians, to disappear while on a road trip. Victor Green also included an ever-growing list of “sundown towns” – cities both north and south not safe for Black motorists after dusk.

Black musicians kept well-thumbed copies of the Green Book close by when touring. The nation’s craving for jazz and dance bands, sadly, outpaced its open-mindedness toward the people who played the music. Drummer “Tootie” Heath recalled that it was “just normal stuff” to be shut out of hotels, not served in restaurants, or denied use of the bathroom.

Pianist Norman Simmons explained that from the Green Book, he knew which restaurants would allow his band to sit and eat, which ones would only let him order food to go, and where they could sleep for the night. Said Simmons, “Sometimes it was a long ways between friendly towns. There were often five of us in the car and we’d just have to take turns driving.”

The Negro Motorist Green-Book helped jazz musicians chart safe routes through Jim Crow America. “I lived through it,” said Tootie Heath, “but a lot of my friends did not.”

“Soundtrack to the Struggle” is hosted by Hollis Monroe. Produced by Ron Adkins. Executive Producer is Dennis Green.

 

PlayPlay

Corridor Jazz Concert March 7

 

 

Join us Tuesday, March 7 at the Paramount Theatre in downtown Cedar Rapids for the Corridor Jazz Project concert!  

Attend a single session or as many as you like for one low ticket price! PLUS get a download or CD of the Corridor Jazz Project XVI album with every ticket purchase (limit one per couple or family).

Tickets are just $15 at www.artsiowa.com.

Performance Schedule

5:00pm

  • City High School Jazz Ensemble, featuring Marvin Truong
  • Prairie High School Jazz Band One, featuring Toni LeFebvre and Justin Sands
  • Lisbon High School Jazz Band, featuring Rod Pierson
  • Clear Creek-Amana Jazz Ensemble, featuring Luke Sanders

 

6:00pm

  • Xavier High School Jazz Band One, featuring Mike McMann
  • West Branch Jazz Ensemble, featuring Bill Bergren
  • Mid-Prairie High School Jazz Band, featuring Gary McCurdy and Randy Swift
  • Marion High School Jazz Band One, featuring Chris Merz
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7:00pm

  • Linn-Mar High School Colton Center Jazz Ensemble, featuring Cory Schmitt
  • Center Point-Urbana Jazz Band, featuring Michael Conrad
  • Kennedy High School Jazz One, featuring Lynne Hart
  • Solon High School Jazz Orchestra, featuring Mike Conrad

 

8:00pm

  • Anamosa High School Jazz I, featuring Johnny Hartliep
  • Cedar Rapids Jefferson High School Jazz Ensemble, featuring Rich Medd
  • Iowa City West High Jazz Ensemble, featuring Nolan Schroeder
  • Liberty High School Jazz Ensemble, featuring Ryan Middleton
  • Cedar Rapids Washington High School Revolutionists, featuring Simon Harding

New Music Monday for February 27, 2023

  Listen to this week’s playlist on YouTube and Spotify 
  “Makram” is the latest album from vibraphonist Joe Locke.  Featuring a selection of new compositions and a return to his celebrated quartet (pianist Jim Ridl, bassist Lorin Cohen and drummer Samvel Sarkisyan), the disc is the latest addition to Locke’s extensive leader discography, an album the incorporates soul, swing, and world-music influences. It was titled after the talented Lebanese bassist Makram Aboul Hosn.

 

 

 

 

 

 

 

     Darmon Meader, vocalist, saxophonist, arranger, composer and founding member of New York Voices, releases his second solo project, “Losing My Mind.” The recording represents his solo vocal sensibilities  through a variety of compositions and orchestrations. The repertoire includes classics from the Great American Songbook, Stephen Sondheim, Ivan Lins, “old-school pop tunes as well as a couple of original compositions. Orchestrations range from quartet to full big band and feature a host of musical partners and friends, including a guest appearance by his NYV bandmates.

 

 

 

 

 

 

 

                              

Also this week, singer Libby York, who over a 40-year career has worked with jazz luminaries like Warren Vache, Frank Wess, and Russell Malone, offers up her fifth disc as a leader, “Dream Land”;

 

 

 

 

 

 

             

Brad Mehldau presents the music of the Fab Four in a solo piano setting on “Your Mother Should Know: Brad Mehldau plays the Beatles”;

 

 

 

 

 

 

 

                                                                                             

 

     and French-Canadian trumpeter and composer Rachel Therrien presents a new Latin jazz project, “Mi Hogar.”