This Week In Jazz February 19 thru February 24

Hey, Jazz fans! Be sure to tune in this week as we celebrate the birthdays of pianist/composers Tadd Dameron and Michel LeGrand, saxmen Buddy Tate, David “Fathead” Newman and Wayne Escoffery, drummers Frank Issola, Harvey Mason, Sr. and Joe Labarbera, singer Nina Simone, trumpeter Joe Wilder and more. We’ll also mark the recording anniversaries of Louis Armstrong’s “The Hot Fives, Vol.1 (1926), Duke Ellington & Johnny Hodges’ “Side By Side” (1959), Oliver Nelson’s “The Blues and the Abstract Truth” (1961), Sonny Fortune’s “Awakening” (1975), Charlie Haden Quartet West’s “The Art of Song” (1999) and many others Mondays thru Friday at noon on JAZZ MASTERS on Jazz 88.3 KCCK. 

New Music Monday for February 20, 2023

    Listen to this week’s playlist on YouTube and Spotify 
The entire city of New Orleans becomes one big party during Mardi Gras, but Delfeayo Marsalis and the Uptown Jazz Orchestra know that there’s no place to be quite like “Uptown on a Mardi Gras Day.” With their latest album, the UJO provides the ultimate soundtrack for Carnival Time in the Crescent City with a spirited collection of Mardi Gras classics and buoyant new originals. The album is a unique combination of big band swing feel, small group jazz spirit, and brass band funkiness that would be equally appropriate on the parade route or in the concert hall. It features guest appearances by saxophonist Branford Marsalis, drummer Marvin “Smitty” Smith, and vocalists Glen-David Andrews, Dr. Brice Miller and Tonya Boyd-Cannon.

 

 

 

 

 

     On “Standard-ized!,” the newest project from Eric Goletz, the trombonist reimagines modern jazz standards with hip arrangements that fuse his contemporary jazz sound with swing, Latin and funk. Goletz is not only a virtuoso instrumentalist, he is also a first-rate arranger and composer. His first two albums, released after spending 30 years as a composer and sideman, largely comprised his original tunes. For the new disc, Goletz decided to focus his creative endeavors  on music composed by other artists, like Charlie Parker, Horace Silver, Michel LeGrand and other jazz luminaries.

 

 

                              

Also this week, trumpeter Brad Goode, with longtime collaborators keyboardist Jeff Jenkins and Ghanaian drum legend Paa Kown, creates an imaginative, hard-grooving soundscape on “The Unknown,” his 19th solo release;

 

 

 

 

 

               

 the Planet D Nonet celebrates the music of Duke Ellington, gleaned from the period 1956 through 1963, on “Blues to Be There”;

 

 

 

 

 

 

 

 

           

     and Bill Warfield, Director of Jazz Studies at Lehigh University, gathers up his Hell’s Kitchen Funk Orchestra for their fourth release, “Time Capsule.”

 

 

 

 

Soundtrack to the Struggle: Earl “Fatha” Hines

It’s 1931 and Earl “Fatha” Hines has packed up his Orchestra for the first of his 3-month whistle-stop tours, including gigs in the Deep South. Fatha’s band was the first major black big band to tour Jim Crow country.

At the time, Hines led the house band at the famed Grand Terrace Café in Chicago. The Grand Terrace, a luxurious “black-and-tan” integrated speakeasy owned by Al Capone, was one of the most important jazz clubs in music history. Hines and Louis Armstrong, along with dozens of their protégés, were making solid reputations. Capone thought Hines was “nuts” when he announced his tour plans. Not only was he stepping outside the hot Chicago jazz scene, but he’d also be outside the protection of Capone and his boys. But, despite it all, Capone knew the tour was important. 

Such trips were never a smooth ride. “When we traveled by train through the South,” he said, “they would send a porter back to our car to let us know when the dining room was cleared. Then we would all go in together. We couldn’t eat when we wanted to. We had to eat when they were ready for us.” Later, during the Civil Rights Movement in the 1960’s, Hines would joke, “You could call us the first Freedom Riders.” 

Finding food and lodging in stopover towns was a constant struggle, often setting off threatening encounters with local police. Hines came to call these tours “invasions,” because of the constant threat of imminent danger. Any contact with whites, even if they were fans of his music, was risky. At one gig in Alabama, a bomb exploded under their feet while they played on stage. “We didn’t none of us get hurt but we didn’t play so well after that, either.”

“Soundtrack to the Struggle” is hosted by Hollis Monroe. Produced by Ron Adkins. Executive Producer is Dennis Green.

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Culture Crawl 794 “Can We Do This Every Weekend?”

Harmony School of Music offers music classes to students as young as 3rd grade, focusing particularly on kids who may not otherwise have a chance to learn and play music.

Harmony is organizing a full day of music on March 4 at the Cedar Rapids Downtown Library. Harmony director Jessica Altfillisch says there will be kids activities as well as performances from Coe College, Eastern Iowa Arts Academy, Kirkwood Vocal Jazz, and the Cedar Rapids Community Orchestra.

Special guest will be singer, rapper, and cellist Jordan Hamilton, with his electrifying one-man concert.

Information at www.harmonycr.org.

Subscribe to The Culture Crawl at www.kcck.org/culture or search “Culture Crawl” in your favorite podcast player. Listen Live at 10:30am most weekdays on Iowa’s Jazz station. 88.3 FM or www.kcck.org/listen.

Culture Crawl 793 “Not A Museum Piece”

Orchestra Iowa’s landmark 100th season continues Feb. 17 & 18 with “American Dreams,” a show designed by Tim Hankewich specifically to showcase pieces of music inspired by the American styles of Broadway, movies, and even bluegrass and funk.

Special guests will be the Grammy-award winning Harlem Quartet, and the program will also include the world premiere of “Wind,” commissioned by Orchestra Iowa from composer and Dubuque native Michael Gilbertson.

All this plus Leonard Bernstein and Richard Rodgers! February 17 at the Coralville Center of the Performing Arts, February 18 at the Paramount. Tickets at www.artsiowa.com.

Subscribe to The Culture Crawl at www.kcck.org/culture or search “Culture Crawl” in your favorite podcast player. Listen Live at 10:30am most weekdays on Iowa’s Jazz station. 88.3 FM or www.kcck.org/listen.

Soundtrack to the Struggle: Blanche Calloway

One might assume that the sister of legendary Cab Calloway would stand in a mighty long shadow. Not Blanche Calloway. She basked in her own spotlight. For a time, her nightclub gigs earned Blanche more income than her little brother. She worked with Eubie Blake, and was accompanied by Louis Armstrong on two recordings. Her time with Andy Kirk’s Clouds of Joy Orchestra taught her much about the music business.

She used that knowledge to make history. Blanche Calloway and Her Joy Boys was the first big band led by a woman … and an African-American woman, at that. Over the course of its run, the Joy Boys featured such future jazz legends as Ben Webster, Cozy Cole, Bennie Moten, Andy Kirk, and Chick Webb. Newspapers hailed Calloway and Her Joy Boys one of the top ten Black bands in the country.

This success, however, didn’t come easy. She was arrested for knowingly using a whites-only restroom. She spoke her mind and wrote provocative lyrics to her music. And after several years of playing to segregated audiences, and fighting the singer-dancer stereotype of women in jazz, the gigs dried up.

Later years saw her enter the political arena. In 1958, she made history again, becoming the first African-American precinct voting clerk and the first Black woman to vote in Florida. She was active in the NAACP and the Congress of Racial Equality. In 1964, she stood with other African American women at the Hague in support of the NATO Women’s Peace Force.

“Soundtrack to the Struggle” is hosted by Hollis Monroe. Produced by Ron Adkins. Executive Producer is Dennis Green.

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Culture Crawl 792 “The Grilled Cheese are VERY Popular”

UNI’s music fraternity Phi Mu Alpha Sinfonia takes on the huge task of putting on the Tallcorn Jazz Festival, one of the region’s biggest jazz festivals. Johnny Hartliep competed at Tallcorn as a Cedar Falls High student, and says that his experience then was one of the things that drew him to UNI.

The public is invited to evening concerts Feb. 16 and 17, where UNI’s Jazz Band One will perform with guest artist, clarinet sensation Anat Cohen.

More information at www.tallcornjazzfest.com.

Subscribe to The Culture Crawl at www.kcck.org/culture or search “Culture Crawl” in your favorite podcast player. Listen Live at 10:30am most weekdays on Iowa’s Jazz station. 88.3 FM or www.kcck.org/listen.

Talking Pictures 2-15-23

The Last of Us (HBO Series) and Empire of Light (2022) with Hollis Monroe, Phil Brown and Scott Chrisman.