Tár (2022) and Don’t Worry Darling (2022) with Hollis Monroe, Phil Brown and Scott Chrisman.
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Tár (2022) and Don’t Worry Darling (2022) with Hollis Monroe, Phil Brown and Scott Chrisman.
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Deere and Iowa State University will study farm sustainability on eight 10-acre research plots.
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Tim Hankewich has just returned from New York, where he served as assistant conductor for the New York Philharmonic’s concert simulcast of “Jurassic Park.” He says that while the Phil is certainly as good as advertised, there isn’t as much space between that orchestra and ours as you might think.
Next up for the Orchestra Iowa’s 100th season celebration is “Homecoming,” featuring nationally renown pianist and Iowa City Conor Hanick. Also on the program is Dvorak’s “New World” Symphony, which also has an Iowa connection, composed while the composer was spending the summer in Spillville.
Nov. 19 at the Paramount, Nov. 20 at the Coralville Center for the Performing Arts. Tickets and more info at www.orchestraiowa.org.
Subscribe to The Culture Crawl at www.kcck.org/culture or search “Culture Crawl” in your favorite podcast app. Listen Live at 10:30am most weekdays on Iowa’s Jazz station. 88.3 FM or www.kcck.org/listen.
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Hey, Jazz fans, tune in this week as we celebrate the birthdays of pianists Art Hodes, Ellis Marsalis and George Cables, reedmen Jerome Richardson and Seldon Powell, singers Shirley Jordan and Diana Krall, singer/composer Johnny Mercer and more. We’ll also mark the recording anniversaries of The Red Garland Quintet’s “Soul Junction” (1957), Sonny Clark’s “Leapin’ and Lopin'” (1961), Tommy Flanagan’s “Confirmation” (1977), Joe Henderson’s “The State of the Tenor” (1985), Karrin Allyson’s “Azure-Te” (1994), Bebo Valdes & Javier Colina “Live at the Village Vanguard” (2005) and many others Mondays thru Fridays at noon on JAZZ MASTERS on Jazz 88.3 KCCK.

Jazz Corner of the World Encore
Mondays from 6:00pm to 10:00pm
Bossa Nova & Brazilian Jazz, Part 2
Host Craig Kessler opens another treasure chest of music exploring the history of Brazilian jazz – from its early roots to the present. We’ll hear Antonio Carlos Jobim, Baden Powell, Astrud Gilberto, Luiz Bonfa, and others.
The Wednesday Night Special
Wednesdays at 6:00 PM
Craig Erickson at First Friday Jazz
Up next on our menu of great jazz from the Opus Concert Café is Craig Erickson. This guitar master can played it all, from jazz to blues to funk, keeping the Opus audience in a constant state of groove.
Jazz Night in America
Thursday at 11:00 PM
The Gospel Gifts of Damien Sneed
Jazz keyboardist and composer Damien Sneed has worked with Aretha Franklin and Wynton Marsalis, and is now sharing his own vision of contemporary Gospel. He and host Christian McBride discuss the importance of Gospel music in jazz and in the American journey.
Jazz Corner of the World
Saturdays at 12:00 Noon
The Artistry of Don Sebesky
Craig Kessler salutes the long career of keyboardist, trombonist, composer, conductor, and arranger Don Sebesky. In this well-deserved listen, we’ll hear some of Sebesky’s own releases, as well as highlights of his commercial arranging.
KCCK’s Midnight CD
Every Night at Midnight
Each night, KCCK lets you hear a new CD played start-to-finish.
Discover by Eric Jacobson on Monday; Let Go by Sam Taylor on Tuesday; Imperfect Perfectionist by Keith O’Rourke on Wednesday; Ouartetinho by Anat Cohen on Thursday; Let It Bleed Revisited: An Ovation from Nashville by The Rock House All Stars on Friday; Portrait by Mud Morganfield on Saturday; Quietude by Eliane Elias on Sunday
Saxophonist Chad Lefkowitz-Brown is in Iowa to clinic and perform at Kirkwood, with a concert on Nov. 12. Chad and Kirkwood director Joe Perea chatted with Hollis Monroe.
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Listen to this week’s playlist on YouTube and Spotify
Over the course of three decades as a professional performer, Michael Kaeshammer has developed a style that weaves threads of classical, jazz, blues, boogie-woogie and stride into a signature sound. He’s been nominated for seven Canadian Juno Awards, has received the West Coast Music Award for Musician of the Year and Entertainer of the Year, and has represented Canada at numerous Olympic ceremonies. With “The Warehouse Sessions,” Michael and his trio with bassist David Piltch and drummer Johnny Vidacovich, are captured with live off-the-floor performances in Bryan Adams’ recording studio in performances that are electric and spontaneous.

Guitarist Adam Rose is a Philly native who has studied and performed with some of the legends including Branford Marsalis, Jimmy Bruno and Jack Wilkins. As a working musician, he has scored music for film, produced tracks with hip hop DJs, and performed nearly every genre of music including Brazilian, bluegrass, and free jazz. His love of straight ahead jazz and the great guitarists such as Wes Montgomery and Jim Hall shine through in his playing. His reverence for timeless composers such as Ellington and Villa-Lobos can be heard in the contour and form of his songs. Adam’s new disc, “Vibes + Tribes,” features six original compositions that reflect the diverse influences of his style.
Also this week, pianist Emmet Cohen and his trio are joined by trumpeter Sean Jones and reedman Patrick Bartley on “Uptown in Orbit”;
baritone saxophonist Jason Marshall brings a giant, soulful sound and instantly appealing concept to his new project, “New Beginnings”;

and Portland-based pianist, composer and educator Kerry Politzer presents “In a Heartbeat,” music she wrote and recorded largely during the pandemic.
Armageddon Time (2022) and Magpie Murders (PBS) with Hollis Monroe, Phil Brown and Ron Adkins.
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