The Tomorrow War (2021) and My Heart Can’t Beat Unless You Tell It To (2020) with Hollis Monroe, Phil Brown and Scott Chrisman.
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The Tomorrow War (2021) and My Heart Can’t Beat Unless You Tell It To (2020) with Hollis Monroe, Phil Brown and Scott Chrisman.
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A non-profit group is working to replace fossil fuel-burning technologies with electric-powered appliances.
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Jazz Corner of the World with Host Craig Kessler
Mondays at 6:00 PM
Strata-East Records, Part 2
Craig spins another batch of delights from the great, oft-overlooked jazz label Strata-East. We’ll hear goodies from a broad spectrum of Black artists from the early and mid 1970s, such as bassist Larry Ridley, sax man Cecil Payne, altoist Shamek Farrah, drummer Billy Parker, trumpeter John Gordon, and a host of others. Tune in for this extremely important music!
The Wednesday Night Special
Wednesdays at 6:00 PM
Goose Town at Jazz Under the Stars
KCCK’s Jazz Under the Stars is just three weeks away, and to get us in the party mood, we’re listening back to some of the great bands that got us grooving in Noelridge Park. This week, it’s Goose Town. This eclectic rock, funk, and fusion ensemble had the crowd out of the lawn chairs and dancing in the grass all evening long.
Jazz Night in America with host Christian McBride
Thursdays at 11:00 PM
Crate Digging: Mulgrew Miller
Host Christian McBride continues his Crate Digging series with one of his favorite concerts from the past. Hear some classic live performances from McBride’s great friend and “big brother,” pianist and composer Mulgrew Miller.
Jazz Corner of the World with Host Craig Kessler
Saturdays at 12:00 Noon
Cannonball Adderley, Part 6
Craig presents Julian “Cannonball” Adderley’s final recordings, from 1970 to 1975. Cannonball recorded some great discs like Phenix, Inside Straight, Big Man, Quintet & Orchestra, The Price You Got To Pay To Be Free, Pyramid, and others. Join us for the final selections from a short but sweet career!
KCCK’s Midnight CD
Every Night at Midnight
Each night, KCCK gives you the chance to hear a new CD played start-to-finish.
Showers of Blessings by Henry “Skipper” Franklin on Monday; All Things Are by Hays Street Hart on Tuesday; Masters & Baron Meet Blanton & Webster by the Mark Masters Ensemble on Wednesday; Soundscapes by Bob Mintzer & the WDR Big Band on Thursday; Back From the Edge by Mark Cameron on Friday; JMB4 by The Joe Marcinck Band on Saturday; Best Buddies by Troy Roberts & Tim Jago on Sunday

Hey, Jazz fans! Be sure to tune in this week as we celebrate the birthdays of saxman Paul Gonsalves, trumpeter Conte Candoli, organist Big John Patton, drummer Philly Jo Jones, pianist Harold Lopez-Nussa, and more. We’ll also mark the recording anniversaries of Leroy Vinnegar’s “Leroy Walks!” (1957), Stan Getz’ “Focus” (1962), The Poll Winners’ “Straight Ahead” (1975), Oscar Peterson’s “Nigerian Marketplace” (1981), Pharoah Sanders’ “Welcome to Love” (1990) and many others throughout the week and Mondays thru Fridays at noon on our ‘JAZZ MASTERS’ program on Jazz 88.3 KCCK.
Listen to this week’s playlist on YouTube and Spotify
Like many serious musicians, John Stein was trying to find a way to reach his audience during the Covid-19 shutdown. The guitarist had just released a career-defining recording to mark his planned retirement from Berklee College of Music where he was an acclaimed educator. When the tour in support of the disc was scrapped due to the pandemic, Stein came up with the idea of taking his trio—with Ed Lucie on bass and Mike Connors on drums—to the New Bedford Art Museum for a live-streamed performance. The show was an enormous creative success. While it was skillfully documented on video, Stein also had a sound engineer capture and mix the audio. The result, “Serendipity,” is a pure celebration of bristling energy and brilliant, intuitive performances.

Judy Wexler is known for her soulful, heartfelt vocals and her ability to find under-exposed gems and imbue them with warmth and wit. She has a sumptuous voice and eschews vocal pyrotechnics, instead focusing on lucid storytelling. Wexler’s spot-on phrasing and sophisticated approach to melody capture the emotional essence of a song. “Back to the Garden” is a departure from her previous albums, which featured a mix of standards, contemporary jazz, and reworked modern pop classics. On the new recording, Wexler points her gaze to interpreting pop/rock songs from the 1960s as jazz/pop anthems relevant for today’s social and political ethos.
Also this week, tenor saxophonist Jacques Schwarz-Bart pioneers a sophisticated modern jazz language cross-pollinated with Afro-Caribbean rhythms and melodies inspired by the Gwoka traditions of his native island of Guadeloupe on “Sone Ka-La 2: Odyssey”;
keyboardist Dave Bass enters the refined world of the piano trio, saluting many of the pianists upon whose shoulders he stands on “The Trio Vol. 1”;

and singer Jean Baylor and drummer Marcus Baylor unveil the second offering from The Baylor Project, “Generations.”
Shakespeare’s most unusual line appears in “The Winter’s Tale,” and director Adam Knight promises a real bear onstage!
Riverside Theatre’s Free Summer Shakespeare Series returns to the Festival Stage in City Park, with “The Winter’s Tale” the first of two plays to be presented. Adam, who is directing the play, says it’s unusual in how the first part of the play is a tragedy, but it eventually morphs into a comedy in the latter scenes. The trick, he says, is to make the transition.
Angie Toomsen directors “A Comedy of Errors” August 13-22.
No tickets necessary, just come to City Park in Iowa City for the pre-even “Green Show” at 6:30. Curtain at 7:30. More information at www.riversidetheatre.org.
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The Forever Purge (2021) and R.U.R. (Rossum’s Universal Robots) with Hollis Monroe, Phil Brown and Ron Adkins.
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The Iowa Environmental Council calls out the state’s Nutrient Reduction Strategy as insufficient.
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