In 2002 he made his solo debut with his self-released and self-titled album, Christian Scott. In 2006, landing a record deal with Concord Jazz, Scott released Rewind That, an album whose mixture of modern jazz, rock and R&B garnered both criticism and praise – but ultimately a Grammy nomination. Anthem was released the following year and Yesterday You Said Tomorrow came out in 2010. During 2011-12, he toured and recorded with the band 90 Miles that also featured Stefon Harris and David Sanchez. His 2-CD release, Christian aTunde Adjuah in 2012, also on Concord, is his most ambitious and expansive recording to date.
Special Programs for the Week of January 20 – 26
In 2002 he made his solo debut with his self-released and self-titled album, Christian Scott. In 2006, landing a record deal with Concord Jazz, Scott released Rewind That, an album whose mixture of modern jazz, rock and R&B garnered both criticism and praise – but ultimately a Grammy nomination. Anthem was released the following year and Yesterday You Said Tomorrow came out in 2010. During 2011-12, he toured and recorded with the band 90 Miles that also featured Stefon Harris and David Sanchez. His 2-CD release, Christian aTunde Adjuah in 2012, also on Concord, is his most ambitious and expansive recording to date.
Special Programs for the Week of January 13 – 19
Jazz Corner of the World with
New Music Monday for January 13, 2014
Any recording made by the legendary pianist Randy Weston is cause for celebration. His legacy with jazz music has spanned over six decades and has put him in contact with the lion’s share of progenitors and innovators of the music. Tenor sax great Billy Harper comes from an equally diverse musical background with a musical journey spanning from his Texas blues background to the avant-garde sounds of New York of the 1970s, where the Brooklyn born Weston had already been innovating and exploring African inspirations of jazz for nearly twenty years. Originally having met in 1972, Weston and Harper have collaborated on and off for over four decades. The pair’s new recording, “The Roots of the Blues,” brings these two giants of jazz together to create moving renditions of ten compositions from Weston’s incredible anthology along with three standards and a Harper original.
Also this week, the singular guitarist John Stowell and saxophone legend Dave Liebman present an intimate set of duets on “Blue Rose”; Israeli natives Avishai Cohen on bass and Nitai Hershkovits on piano pair up for “Duende”; and 7 On 7 brings a modern mainstream spin to the great small band sound of the hard bop era on “Back When It Was Fun,” featuring trumpeter Clay Jenkins and trombonist Paul McKee.
Jon Batiste Jazz Workshop for Adults!
Every now and then, sometimes associated with the jazz education work KCCK does in middle and high schools, we’ll get asked “How about some jazz education for adults who want to return to playing or play better?”
Well, here is an opportunity! Pianist Jon Batiste is offering a special workshop, targeted at 50+ musicians, prior to his January 16 concert at the Englert.
Batiste, just 25 himself, is a recipient of the “Movado Future Legend” award and is a Steinway Artist. At the forefront of the exciting new generation of musicians coming out of New Orleans, Batiste’s unique take on the American Songbook is attracting critical acclaim as well as bringing new fans to jazz, across all demographics.
Batiste and his band, Stay Human will present the workshop at the Englert Theatre, 5pm January 16, prior to their concert. You’re encouraged to bring your instrument and participate with the musicians, or just sit and listen.
Admission to the workshop is free, but the Englert would like to know how many people intend to be there. RSVP to katie@englert.org. A limited number of free and discounted tickets to the concert are available as well. Ask when you sign up for the workshop.
More details at www.englert.org
New Music Monday for January 6, 2014
A saxophonist, composer and educator from Toronto, Canada, Shirantha Beddage is emerging as a fresh and powerful voice on the baritone saxophone. Drawing inspiration from John Coltrane, Pepper Adams, Thelonious Monk and other jazz masters, Beddage won the Galaxie Rising Star Award at the 2013 Montreal Jazz Festival for his work as a composer. He studied with Bill Dobbins and Harold Danko at the Eastman School in Rochester and is currently on staff at Humber College in Toronto. “Identity” is his second release as a leader.
Also this week, versatile West Coast drummer Dick Weller leads a trio with organist Joe Bagg and saxophonist John Tendy on “Tunes Remembered”; tenor saxophonist Doug Webbis in a quartet setting for his latest release, “Another Scene,” featuring drummer Rudy Royston and bassist Dwayne Burno, who passed away on December 28 at age 43; and pianist Jon Davis and his trio offer up “One Up Front.”
Special Programs for the Week of January 6 – 12
Special Programs for the Week of December 30 – January 5
THE COAST-TO-COAST LINE-UP FOR TOAST OF THE NATION 2013-14
- Donald Harrison Quintet LIVE at Berklee College of Music.
- Cecile McLorin Salvant with the Aaron Diehl Trio from the Kennedy Center’s Mary Lou Williams Festival.
- The Wynton Marsalis Septet LIVE at Dizzy’s Club Coca-Cola.
- Paquito D’Rivera with Strings and More at Mayne Stage in Chicago
- Convergence with Special Guest Larry Goldings at DazzleJazz in Denver.
- Bobby McFerrin and the Spirityouall Band from the 56th Monterey Jazz Festival
Wednesday 6:00 AM – 3:00 PM (repeated 3:00 pm -Midnight)
Listen for your favorite artists and CDs of 2013 during our Top 88 Countdown with many of today’s top players and singers making our list including; Hiromi, Terence Blanchard, Big Bad Voodoo Daddy, Christian McBride, Jacky Terrasson, Poncho Sanchez, Kenny Garrett, Patricia Barber, Oregon, Kevin Mahogany, Bill Frisell, Gary Burton, Paquito D’Rivera and many, many more.
New Music Monday for December 30, 2013
Guitarist John Abercrombie and pianist Marc Copland are old allies, with an association stretching back forty years when both were members of Chico Hamilton’s quartet. At the dawn of fusion, both played with the pioneering jazz-rock band Dreams. Since the late ‘90s, they’ve revived their partnership in diverse contexts and have toured in formations ranging from piano-guitar duo to a trio with Kenny Wheeler to the cooperative group Contact with Dave Liebman and Billy Hart. Abercrombie hasn’t featured a piano in his ECM recording groups since his late ‘70s-early ‘80s quartet with Richie Beirach. His new CD, “39 Steps,” is a quartet recording including Copland, Drew Gress on bass and Joey Baron on drums.
Pianist and composer James Weidman celebrated his 60th birthday with the release of “Truth and Actuality,” a disc credited to the Aperturistic Trio. While this is his first trio release since 1997, he never left the format entirely as each of his previous recordings featured some tunes in that setting. He attributes his passion for the trio to his years spent accompanying vocalists, something his band mates share, as bassist Harvie S is well known for his partnership with Sheila Jordan and drummer Steve Williams was at the core of Shirley Horn’s trio for decades. “Through working with vocalists,” Weidman observes, “we all have a passion for the lyrical side of this music.”
Also this week, the duo of Scott Amendola and Charlie Hunter follow up their duo release from earlier in the year with “Pucker,” this time focusing on Amendola’s compositions; Brooklyn-based drummer and composer Scott Neuman debuts his Neu3 Trio with saxophonist Michael Blake and bassist Mark Helias on “Blessed”; and the Jitterbug Vipers, who specialize in a beloved jazz offshoot called ‘viper jazz’ which evokes the rollicking spirit of the Swing Era’s halcyon days, unveil “Phoebe’s Dream.”
