News Digest 2-12-24

The Senate works all weekend on a foreign aid package…recent snowfalls have recharged soil moisture in parts of Iowa…the Chiefs win the Super Bowl.

Soundtrack to the Struggle: Nate Adderly — the Work Continues

The work song has existed since the dawn of recorded history. Field hands, boatmen, railroad gangs, and even cowboys used the work song to lift spirits and maintain the pace of labor. During the American era of slavery, the work song evolved into something far greater. It became a powerful means of communication, resistance, and catharsis. Through call-and-response, field workers carried on a dialogue under the noses of their foremen. News was passed. Common complaints were shared. Uprisings were planned.

Improvisation was a common element in these dialogues, as were the field hollers and moans. As slaves converted to Christianity, their songs included appeals for divine deliverance. Over time, the work song included odes to the act of work itself – be it hard physical labor, the tribulations of a love affair, or the tortures of a tyrannical boss. This is the fertile ground where blues, gospel, and jazz took root.

Trumpeter Nat Adderley understood the depth of his musical roots, and in 1960 wrote his own “Work Song.” All the traditional tropes are there – the call-and-response, the bemoaning of labor, the improvisation. Oscar Brown, Jr. added poignant lyrics, making this “Work Song” a testament to the struggles of the past and the labor still to be done.

This episode of “Soundtrack to the Struggle” was written and produced by Ron Adkins. Executive Producers Dennis Green and George Dorman. Hosted by Hollis Monroe.

New Music Monday for February 12, 2024

Listen to this week’s playlist on YouTube and Spotify
Following on from his previous jazz big band releases, West Australian composer/arranger Myles Wright releases his first full-length album “Gamer”—a selection of retro video game music arranged for an expanded, 24-piece big band. Six years in the making, the album features reinventions of well-known video game classics such as the 1991 Nintendo release Super Mario World, composed by Japanese video game music legend Koji Kondo, and some lesser-known titles such as the 1988 Amiga 500 release of Ghouls & Ghosts, composed by Tim Follin. There are also four outings from Follin’s 1993 game soundtrack to Plok.

Hot Club of Los Angeles presents “Nova,” the third release from the celebrated ‘nuevo Django’ ensemble that’s been hailed by none other than Jackson Brown as “an L.A. Treasure.” Formed in 2011, HCLA brings excitement, irresistible swing and raw talent to its take on gypsy jazz, a hybrid style pioneered by Belgian guitarist Django Reinhardt and the Quintette du Hot Club de France in 1930’s Paris. Their new disc is a collection of 15 varied numbers ranging from classic and contemporary gypsy jazz, bossa nova, French chanson and traditional Roma fare to film soundtrack, jazz standards and some originals.

                                                                  

Also this week, the Chicago-based Afro-Caribbean Jazz Collective create a unique and exciting listening experience on “Fiesta at Caroga”; the Indianapolis-based Rob Dixon/Steve Allee Quintet offers up “Standards Deluxe,” a well-rounded and consistently exiting set of vintage songs and new originals; and keyboardist Ethan Iverson’s “Technically Acceptable” is a far-ranging new project that presents two different trios performing a set of striking new Iverson originals.

 

Special Programs February 12 thru February 18

Jazz Corner of the World with host Craig Kessler

Mondays at 6:00pm

Blue Note 85th Anniversary Collection, Part 4

Craig wraps up his four-part listen to the unusual and obscure side of Blue Note. This again will include bonus material from the course Craig is teaching on Blue Note Records for the University of Iowa Senior College.

 

 

 

The Wednesday Night Special

Wednesdays at 6:00pm

Blake Shaw Big-ish Band at JUTS

Blake Shaw, Eastern Iowa’s first-call bassist, bandleader, composer, and educator, brought his Big-ish Band to Jazz Under the Stars in 2021. As always, Blake brought jazz, rock, and soul covers and big helping of original charts, all delivered with his infectious sense of fun.

 

 

 

 

 

NEW RELEASE: Brianna Thomas' EVERYBODY KNOWS is ...Jazz Night in America with host Christian McBride

Thursdays at 11:00pm

A Jazz Valentine

Love is in the air (and on the air) for Valentine’s Day on Jazz Night In America. Celebrate the holiday with a special concert of songs on all matters of the heart from vocalists Brianna Thomas and Vuyo Sotashe alongside an all-star big band led by trumpeter Riley Mulherkar.

 

 

 

 

 

Jazz Corner of the World with host Craig KesslerMITCHELL,NICOLE - Awakening | Amazon.com.au | Music

Saturdays from 12 noon to 4:00pm

The Flute in Jazz

Craig explores some of the uses of the flute within the world of jazz. We’ll hear from Jaime Baum, Herbie Mann, Ali Ryerson, Frank Wess, Nicole Mitchell, Hubert Laws, and many others.

 

 

 

 

 

KCCK’s Midnight CD

Every Night at Midnight

Each night, KCCK lets you hear a new CD played start-to-finish.

Shapes & Sounds by Kirstin Edkins on Monday; Launch Control by Mark Lipson on Tuesday; The Hidden World of Piloo by Ada Rovatti on Wednesday; CT! by Adam Schroeder & Mark Masters on Thursday; Life is Hard by Mike Zito on Friday; Naked Truth by Tinsley Ellis on Saturday; Tranesformation: the Music of John Coltrane by Brian Melvin, Soren Lee, & Mads Sondergaard on Sunday.

This Week In Jazz February 11 thru February 17


Hey, Jazz fans! Be sure to tune in this week as we celebrate the birthdays of composer Harold Arlen, baritone saxman Charlie Fowlkes, saxmen Wardell Gray, Roger “Buck” Hill and Maceo Parker, drummer Herlin Riley, singer Dena DeRose and more. We’ll also mark the recording anniversaries of “Chico Hamilton Quintet in Hi-Fi” (1956), Stan Getz/Charlie Byrd’s “Jazz Samba” (1962), Art Blakey & the Jazz Messengers’ “Night in Tunisia” (1979), Ray Bryant’s “Trio Today” (1987), The New George Shearing Quintet’s “That Shearing Sound” (1994), Bruce Barth’s “Three Things of Beauty” (2012) and many others, Mondays thru Fridays at noon on Jazz Masters on Jazz 88.3 KCCK.  

 

News Digest 2-9-24

No charges will be filed against President Biden over his handling of classified documents…lawmakers in Des Moines are looking at combining mental health and disability services in Iowa.

Soundtrack to the Struggle: Count Basie’s “Same Old South”

Sometimes the truth is difficult to hear … or dangerous to tell. Sometimes, you have to serve it up with a helping of irony. And sometimes, you really DO have to use a spoonful of sugar to help the medicine go down. Such is the case with Count Basie’s classic 1940 record, “It’s The Same Old South.”

Debuted in the satirical labor revue “Meet the People,” Jay Gorney penned the music to this infectious, swingin’ tune that packed dance floors across the country. While at the same time, Ed Eliscu’s subversive lyrics told a story quite different from the history books. Life as a Black person in American society wasn’t as cheery as it appeared on the surface.

“It’s The Same Old South” brilliantly depicts our society as a study in contrast. Like the song, the story of the American way can sound sweet and melodic. But listen a little closer, and the lyrics of child labor, tar & feathering, and bloodhounds chasing union organizers declare that the beautiful landscape of the United States wasn’t so lovely after all.

This episode of “Soundtrack to the Struggle” was written and produced by Ron Adkins and hosted by Hollis Monroe.

News Digest 2-8-24

The Supreme Court is to hear arguments today over whether Donald Trump can be kept off the Colorado primary ballot…immigrant rights advocates rally at the Iowa Capitol.